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Uncategorized

Digital Arts is a strongly interdisciplinary division in The Wits School of Arts which offers  postgraduate programmes  in Digital Animation and Interactive Media and  also undergraduate courses  in Stop Motion Animation and Net.Art.  Digital Arts is currently developing an undergraduate Game Design programme in collaboration with The Wits School of Electrical and Information Engineering.  The successful candidate for this new post will be expected to bring a passionate engagement with game design/game play into research and teaching in this new collaborative programme.


The successful applicant will be a person able to develop and teach undergraduate game design courses and digital media courses.  You should have a proven interest and professional experience in at least one of the following areas: Game Design; Narrative or Interactive Theory; Level Design; Experimental Games; or  Game Theory.

 

Qualifications: A Masters degree or appropriate equivalent academic qualification.  (Candidates with an appropriate Bachelor’s degree with at least three years of professional experience  in Game Design may be considered; but will be expected to register for a Masters degree during their probation period.)

 

A passion for game play and for developing the possibilities of games in an arts/experimental/activist context is essential but you will also need to engage with the emerging video games industry in South Africa.

 

Duties: Teach both production techniques and theory to  undergraduate classes. Supervise postgraduate research projects and/or initiate and manage collaborative projects; and assist with course administration.

 

For further information contact Professor Christo Doherty, Head of Digital Arts, christo.doherty (at) wits.ac.za or visit www.wits.ac.za

 

Remuneration:  Dependent on qualifications and experience

To apply:  Submit a letter of motivation and detailed curriculum vitae with names and e-mail addresses of three academic referees as well as certified copies of degrees/diplomas, supporting documentation and identity document to:  Ms Margaret Deyi Humanities Margaret. Deyi (at) wits.ac.za, Human Resources Office, University of the Witwatersrand, Private Bag 3, Wits 2050, South Africa.

Closing date:            6 November 2010




Announcement Lecture

September and October will be a sound art focus for Digital Arts Remote Lectures Series. And the first of the series will be artist Emeka Ogboh based in Lagos, Nigeria.

“The Lagos Soundscapes is an ongoing sound project that explores Lagos as a vibrant African Mega city. As the name suggests the project is invested in acoustics, however, what is central here is that the accumulated sound defines the character of the city of Lagos. The amalgamation of these sounds and more, defines the city Lagos as the economic, commercial and cultural capital of Nigeria.”

For more information visit the Remote Lectures blog

Announcement


The Berlin Node of Upgrade International has just announced the start of the Media Facades Festival. This is worth a look as they have broadcast events from 27th August to 12th September.

Uncategorized


Digital Arts and Upgrade Joburg are launching a Remote Lecture Series.

What is a Remote Lecture? We are inviting people from across the globe to “beam in” to our seminar room in Johannesburg for a series of unique once a month lectures on arts, new media and technology practice.
These lectures are free and anyone can attend. Get inspired!

Remote Lecture 1:
The Choreographed Accident:how painting survived the accident  by Marcelino Stuhmer from University of Wisconsin Milwakee.

Date: 12 August 2010
Time: 19:00
For more information visit the Remote Lectures blog or contact me at tegan.bristow(at)wits(dot)ac(dot)za

Workshop documentation

Daniel Hirschmann ran a really successful workshop last weekend on the 5th and 6th of June at the Digital Arts Division at Wits University.  The number of participants almost out weighed the amount of space we had available to us. A great boost for the art tech. scene in Johannesburg.

As a quick overview Dan Hirschmann taught the use of Arduino with a focus on programming for lighting and installation design. It was alot of good fun with most participants using the locally made Aarduino boards. Many of participants are members of the Hacksaws Art & Tech. group and if they weren’t members before they are members now. The workshop was facilitated by members of the Hacksaws group, Anton Coetzee, Dino Fizzotti and Tegan Bristow. It was fantastic to have Dan out from London to show us his work and share the vast amount of experience he has with us.

We are all looking forward to the great Arduino artworks, projects and products that will come out of this workshop.

Dan Hirschmann, Digital Arts, Wits, Johannesburg. Photo: Tegan Bristow


Joao, Dan, Alex and Mazwi: Photo Tegan Bristow

Taku and Jurgen. Photo: Tegan Bristow

Marike. Photo: Tegan Bristow

Hilton. Photo: Tegan Bristow

Announcement Workshop

Physical Computing Workshop for Artists and Designers



Artist and Creative Developer Daniel Hirshmann

3 Part Workshop: 1 - 6 June 2010

Digital Arts, Wits University, Johannesburg.

 

“Physical Computing is an approach to design and making that positions the human at the centre of the interaction.  Over the course of 3 sessions, participants will learn how to gather sensor information from the real world and use it to effect change within their own projects.  We will cover introductions to communication, LED control, programming, motors, and various electronic components - while remaining aware of their creative applications in the real world.”

 

More of Hirshmann’s work here http://www.plankman.com

 

Please note:

This workshop will be extended into an open creative workgroup with local creative people and the Hacksaws Group. So if you can, book off two weekends.




This workshop is being hosted by the Hacksaws Art and Technology Support Group and the Digital Arts Division of the WSOA.

If you are interested in attending please contact me at tegan (dot) bristow (at) gmail (dot) com.

Announcement Lecture Uncategorized

Getting to know each other is the first step to collaborative practice.
This Wednesday the 7th of April at 19:00 in the Digital Arts (Convent) Building will be the Hacksaws Show & Tell. Members of the groups will have 5 mins to detail anything from what they are curretly working on; past projects or deep interests in the name of arts and technology.

If you are interested in attending please contact me at teganbristow (at) gmail (dot) com.

Announcement


Upgrade Joburg is having the first meeting of Joburg based art and technology group this Wednesday at 19:00 in the Seminar Room of the Digital Arts Division.  This group is made up of professionals (not necessarily artists) who have an interest in Art and Technology. We hope that the group will be a place to form collaborations for new projects and exhibitions; work towards the generally uplifting and furthering the practice of art and technology in South Africa.

This is an open group, anyone can join, if you are interested please contact me at teganbristow “at” gmail “dot” com

Announcement

Soft Borders, is this years bi-annual Upgrade International gathering. It will be hosted by the Sao Paulo Node and has just openend it’s call for particpation.

If you are interested in participating from Johannesburg please contact me (the Upgrade Joburg Node organisor) directly.
tegan dot bristow at wits dot ac dot za.

Follow this link for more info on the call.

Lecture

I DO have images - but there is an issue with the file structure. Please contact me if you would like to see them.

I will present a paper at the WSOA Research Seminar.

The paper is  A Natural Defiance: Etching a Circuit Board in the Printing Studio.

It is draw from research done with Dino Fizotti (MSc Candidate) and Jill Ross, Fine Art Printer of David Krut Fine Art.

Here is a little more on the paper:

A framed presentation of the research outcomes of an experimental (in the scientific sense) research undertaking to develop a circuit board in a fine arts print studio. The project is primarily an experiment in medium convergence. The presentation will focus on the cohesion of fine arts printing and electrical engineering through the development of an interactive digital arts tool. I will use the research outcomes to speak to the post-medium condition as presented by Rosalind Krauss.

This particular circuit board is a tool used in the creation of immersive and interactive works, and is not an artwork in itself but forms part of a work. In the Digital Arts division, use of the board is co-taught by the electrical engineering department as a key learning and development tool in the MA practice program. However, this particular research undertaking addressed the expertise of electrical engineering and fine arts printing, and all the equipment and technique that go with it, as they are put together to develop this tool in the print studio.

The outcome of this research undertaking is twofold. Firstly and also the central topic of the research seminar; it positions an analysis, through documentation, of the enhancement and sharing of knowledge across both fields. It explores how interactive digital art through its natural defiance of purest medium practice acts as a cohesive form for these disparate yet relevant sets of expertise. Using this experimental research as a frame, I address Krauss’s post-medium condition to better understand medium, as well as the redemptive state of the post-medium condition. I additionally address the relationship of electrical engineering to fine arts printing and digital arts, all of whom are located at the same research university. In addition to the above, the experimental research has led to the creation of best practice recommendations and the development of extensive documentation and tutorial material (this will not be presented – only outlined).